Actual Songwriting Tips for Guitarists

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death2yun
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Actual Songwriting Tips for Guitarists

Post by death2yun »

Okay I took lessons for years and learned lots of theory and whatnot.
I've been trying to work on song structure & I'm having issues with how many parts a song should have.
Most of what i'm writing is structured like so;
Intro, verse,chorus,bridge,whatever
But what i'm wanting clues about how to build tension in the verses, and just generally how other people go about building dynamics without being boring.
Idk any tips?
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stewart
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Post by stewart »

personally i'll change vocal melody halfway through a verse or change the guitar part, or have the bass do something different (in a band situation). or bring in some sweet pinch harmonics and a gong. the choices are, literally, endless.
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Post by Pens »

Um. I guess my only "tricks" are to have the bass change lines maybe two bars before the chorus, or pick up the vocal part to a different melody. Or the old standby of playing the second half of the verse with more distortion and a more screamed vocal, or then there's the strum the last couple of chords harder trick. Actually I use the strum harder at the end of the verse thing a lot.
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Post by endsjustifymeans »

need tension?

Add dwarfcraft.

Though, that's my solution for basically everything.
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Post by death2yun »

Idk what dwarfcraft is.
It's hard to word this right, but Okay how many bars do verses,chorus,etc consist of. 4 bars?
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Post by stewart »

as many as you like/need to have.
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Post by George »

death2yun wrote:Idk what dwarfcraft is.
It's hard to word this right, but Okay how many bars do verses,chorus,etc consist of. 4 bars?
use an ouija board
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Post by honeyiscool »

Almost all my songs have prechoruses.
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Post by Pens »

death2yun wrote:Idk what dwarfcraft is.
It's hard to word this right, but Okay how many bars do verses,chorus,etc consist of. 4 bars?
Er, depends on how long 1 bar is? I always go by feel when it comes to writing songs.

Okay, so this one song I have, the verse is 4 bars clean, next is 4 bars the same riff but distorted, vocal melody is the same but my voice is louder and more distorted (screamsinging?), then the chorus, 4 bars, then back to the main riff, 4 bars distorted. Repeat for next verse.

Other songs might be 2 bars before the verse, some choruses are only 2 bars. I have one song that has a chorus that's 3 bars.

Just depends on the length of one bar and how it feels in the song.
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Post by death2yun »

ahh okay that makes sense. thanks dewd
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Post by death2yun »

okay so i just demo'd the different parts of this song i came up with really quick; help would be appreciated.
http://singinbrokenenglish.tumblr.com/
it's the first post that shows up, and i'm just having trouble designating the parts.
On the recording i just play the parts through with no repeating. it's like a minute long.
Anybody care to gimi tips on how to structure it?
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Post by gaybear »

so it seems to me like you got
phrase A: picky part
phrase B; strummy part
phrase C: half-time strummy part
phrase D: strummy bridge
i think a good start would just be to play
A, B, C
A, B, C
D
A
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death2yun
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Post by death2yun »

gaybear wrote:so it seems to me like you got
phrase A: picky part
phrase B; strummy part
phrase C: half-time strummy part
phrase D: strummy bridge
i think a good start would just be to play
A, B, C
A, B, C
D
A
hell yeah. much obliged.
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Post by gaybear »

so was there any luck with this?
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Post by robroe »

work on developing the ammount of voices you can make with your voice. start with an impression of someone, then tweek it and use it as your own.


like i got a quiet voice, loud voice, axl voice, courtney voice, baby kitty voice (its a mix of the dude from Cinderella and me)
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